BRUN MAGAZINE'S MODERN CLASSIC
This is part of our modern film classic series
“Black
Swan” is a modern classic. You may even
consider it as a dark fairy tale for women struggling to wake up from a real
nightmare called patriarchy. The film is
open to so many interpretations, which is often the mark of a great film directed by a visionary filmmaker. In fact, every
element of the film worked in unison in rendering a multi-dimensional piece: the
cinematography, the music, the editing, the writing and the superb ensemble
cast. Obviously, as in any great ballet
performance, the prima ballerina occupies the center stage; in this case, it is
Natalie Portman. She is in every scene;
and without her bravado performance, the film would not have been as engaging. However, Darren Arenofsky’s masterful
invisible hands really steered this new masterpiece.
The film
is a play of mirrors; perhaps one of the best films to make use of mirrors to expound
the story and reveal subliminal messages.
Nina (Natalie Portman) is a splintered character as shown repeatedly in
her many mirror reflections. The mirror
also reveals her relation to other characters in the film, most notably Lily
(Mila Kunis), Thomas (Vincent Cassel) and her mother Erica (Babara Hershey). Images
of bars and cages are also evident throughout the film, which signifies
entrapment.
Critics
and movie aficionados can view “Black Swan” at any angle. You can employ
feminist, Marxist, psychoanalytic, formalist and absurdity critiques. The film may be a metaphor for an artist, a
case for Mother-daughter sexual abuse, subjugation of women, or a critique on
fairy tales. However one may dissect the film, it never fails to reveal more
than what is in the surface.
The
following are reviews about the film
- “Where is Your Mother, Nina?” The Nonexistent Mother
- Dark Perfection: “The Internal Process of the Performer”
- Movie about Mother-Daughter Abuse by Faith Allen
5/5 |
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