Picture taken from the director's Facebook Page |
For screenwriter and
director Alvin Yapan, 2013 had its highs and lows, one low to be precise. In the middle of the year, Yapan offered us the
sensory “Debosyon,” a film that often had to take a back seat to more
publicized films du jour like “Transit,” (our entry to the Oscars) and the
much-hyped “OTJ.” However, unlike the aforementioned films, “Debosyon” has
something much more to offer if only the audience would have the patience to
peer through the layers. Unfortunately, in October, Yapan backpedalled and gave us “Gaydar,” an infuriating cute comedy
that was obviously rushed and meant to reel in more mainstream audience. “Gaydar”
is still entertaining but it made some of us go, “Oh no he didn’t! Damn! Oh yes
he did!” He pertains to Yapan.
Top: Yapan directs Agot Isidro in "Mga Anino ng Kahapon." / Bottom: with Mara Lopez shooting in Mount Mayon for "Debosyon." (Images taken from the films' Facebook pages) |
Thankfully, by the
end of the year, Yapan gave us “Mga Anino ng Kahapon,” which is as
multi-layered as “Debosyon.” As always,
the surface is just a deceptive design, and in “Mga Anino ng Kahapon,” Yapan
made a daring critique about Philippine society. The film is not just about schizophrenia. To hover around the obvious is to miss much
about Yapan’s work.
You cannot consider
Yapan as belonging to the current purveyors of slow cinema. Yapan does not need
a long time to get his narrative through, his camera lingers when it needs to
be, and quickly shifts into fast gear and disappear if warranted. In a way, Yapan does not burden his audience with
slow cinema with its obsession about time and length just to be artsy; primarily,
he is a tapestry maker. His films are like tapestry: heavy pieces of cloth that have many things woven
into it. The longer you stare, the more the tapestry reveals to you.
Yapan is an auteur
with his very own style. Despite “Gaydar,” Yapan still stands out as one of the
finest directors we have. Brun
Philippines chose Alvin Yapan as its 2013 Director of the Year.
I agree. Go Direk Alvin!
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