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Reviewed by Roghadal
Saint-Michel
(Toronoto, Canada)
Directed by David Dobkin; starring Robert Downey, Jr., Robert Duvall and Vera Farmiga
Directed by David Dobkin; starring Robert Downey, Jr., Robert Duvall and Vera Farmiga
A hotshot lawyer
comes back to a small town where he grew up to attend his mothers' funeral,
carrying with him loads of baggage from a past that is about to unfold.
A seemingly short
planned weekend turned into an agonizing excursion of family drama that has now
crept up on him when his father, a highly regarded judge gets involved in a
murder. Hank (Robert Downey, Jr.) is now compelled to defend his father (Robert
Duvall) when Hank realized that a small-time attorney would most likely lose
the case and put his father in jail.
This courtroom
drama has been told a gazillion times in Hollywood films. Of late, films like
“On Golden Pond,” “August: Osage County,” “One True Thing” weaves a tale about
children who are forced to confront their own demons by revisiting their
relationship with their parents.
Although most of
the aforementioned films explored the mother-son or mother-daughter
relationships, Paul Schrader ‘s “Affliction" (1998) zeroed in on the
violence as if it were genetic and were passed on from father to son. This is
one of the few films that profoundly dissected the father-son relationship.
Meanwhile,
“Ordinary People" (1980) is a good complimentary film to "The
Judge." The guilt possessed by the main lead in this Robert Redford's
masterpiece is now carried by Downey's character. This time the domineering mother is gone and
the focus is shifted to the father/the judge. The father is a strong-willed but
aging as he slowly loses his mental faculties because of a debilitating medical
condition. Robert Duvall gave a brilliant performance highlighting his
character’s strained relationship with his son, which is tested further when
they are forced to work together.
In a way, "The
Judge" is almost an extension of what happens after the middle son in
"Ordinary People" has moved on after a tragic event that caused the
family's unraveling. In “The Judge,” the middle son is now a successful lawyer.
He has to prove his worth and possibly his acceptance back to the fold by
defending his own father. However, the case is a mere catalyst to drive the
family drama. Old wounds are opened, and in a grand symbolic scene in the film,
dirt is swept under the old rug and flung open during an explosive tornado
scene.
Much has been
written about the curse of the middle child: the birth order that is neither
favoured as the first born nor precious as the last child. The middle child
strives to be recognized by acting up or over-achieving. However, the middle
born is deprived of parental blessings that he richly deserved, although
sometimes the middle child only perceives the supposed dismissal. The middle child feels unrecognized even in
his or her adult life and therefore negatively or positively overcompensates.
Robert Downey Jr.
masterfully understood his character’s dilemma. His Hank Palmer is a bundle of
contraction of achievement and insecurities. The hankering to be loved is
camouflaged by his cocky disposition in his personal and professional life.
Written with the
small town mentality, this courtroom drama succeeds because the voyeurism about
a family affair escalates like a national crisis in a typical small town.
Ordinary folks care about the comings and goings of the people whom they
personally know. If this case happened in a big city like Chicago or New York,
the story will just be dismissed as a trivial domestic problem. Nevertheless,
in a small town where everyone knows everyone's business, people will care and
so will you.
OTHER REVIEWS by Roghadal Saint-Michel
Gone Girl
Stranger by the Lake
Mula sa Kung Saan Ang Noon
Gone Girl
Stranger by the Lake
Mula sa Kung Saan Ang Noon
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