Filipino Films that Should be Made in the Immediate Future, Part 2 (Film #2: "The Imeldific Drag Show")

David Byrne and Fat Boy Slim have already produced a stage musical about the controversial and polarizing Imelda Marcos. Some Filipinos easily became thrilled as Filipino stage thespians were chosen to play key parts in the New York production and the coming London production. For some, it is "Miss Saigon" all over again. This is another proof that the new generation has perhaps forgotten the sins of the Marcos dictatorship and so the apparent return to glory, and maybe to power, of the Marcos clan is well under way. Whether the new Imelda musical presented the great “Maleficent of Shoes” in a favorable or unfavorable light, I suppose it is up to the viewers. But as “The Guardian” critic Alexis Soloski wrote,

“It becomes more difficult to judge or be critical of the characters – dancing with Imelda (played with almost unparalleled sweetness by Ruthie Ann Miles) makes you more likely to sympathise with her and her husband (Jose Llana), despite knowing better.” (Source: The Guardian, 13 April 2013)

"Mariquina" (Film Criticism): An Allegory for the Rise and Fall, and Potential Resurgence, of the Romualdez-Marcos Dynasty?

"Mariquina" is a testament to exceptional craftsmanship. Every element seamlessly aligns: from its concise screenplay to music that enhances scenes without overpowering them, and from fitting production design to smooth editing and stellar cinematography. Anchored by a powerhouse ensemble cast, the film's ambition may not reach the heights of some independent productions, but therein lies its beauty—it thrives in its intimacy, skillfully encapsulating the struggles of a single family as a microcosm of Philippine society over the past two decades.

At the core of "Mariquina" is Mylene Dizon, whose nuanced performance grounds the film. Eschewing melodrama, Dizon portrays her character with restraint, mirroring the quiet strength of her role. Without her remarkable portrayal, the film wouldn't wield the same impact. The ensemble cast, likewise, delivers impeccable performances, infusing "Mariquina" with depth and drama devoid of sentimentality. Credit is due to director Milos Sogueco and screenwriter Jerrold Tarog, the latter also responsible for the evocative musical score.